AWARDS 2026 Now accepting submissions — 10 categories, free entry, blind judging, open worldwide. Enter the Design Magazine Awards →

The Devil’s Design: Paris Olympics & Their Art Direction

Paris Olympics The Devils Design
The Paris Olympic Opening Ceremony aimed to captivate the world with its artistic grandeur and cultural vibrancy. However, one particular segment has ignited a firestorm of controversy. The impersonation of the Last Supper using drag queens has stirred deep emotional and ideological divides.

Join me as we explore the profanity and scope of this art direction, reflecting on its impact from various perspectives—art enthusiasts, religious leaders, and cultural critics.

Tokyo Design Studio (Our Position On The Opening Ceremony)

As one of the founders of a Christian design studio, I find the portrayal of the Last Supper using drag queens during the Paris Olympic Opening Ceremony to be not only a misguided artistic choice but a blatant act of profanity against our faith. Art has the power to inspire and uplift, yet this decision has sparked outrage among many who hold Christian values dear. It tarnishes the branding of the Olympics, a platform that should embody unity, respect, and the spirit of sportsmanship. Such controversial interpretations mock Christianity and alienate those who opt for wholesome and family-oriented representations. 

However, we’re not too surprised, given the nature of the Olympics, games put together, celebrating false so called gods, what we would call demons.


The Profanity of Imitating the Last Supper with Drag Queens

A central highlight of the opening ceremony was a tableau that emulated Leonardo da Vinci’s Last Supper. In a bold move, the scene was represented by men dressed as women, known as drag queens. This choice has been met with widespread condemnation for its perceived profanity and offensiveness, particularly among the religious community.

Critics argue that this portrayal mocks a sacred moment in Christian history, where Jesus dined with his disciples before his crucifixion. Many feel that such a representation is sacrilegious, as it distorts a pivotal event with profound spiritual significance. Cultural critics have echoed similar sentiments, arguing that the act is an insult to Christian beliefs and values.


The Art Director’s Perspective and Cultural Significance

In his own defence of the controversial decision, the art director provided a quote explaining the intent behind the representation. “My wish isn’t to be subversive, nor to mock or to shock,” he said, saying, “Most of all, I wanted to send a message of love, a message of inclusion and not at all to divide.” Thomas Jolly, the ceremony’s artistic director.

The art community has offered a variety of perspectives on this artistic decision. While some laud the effort as a bold statement on the fluidity of identity and the breaking down of barriers, others see it as a provocative act that unnecessarily offends religious sentiments.

And quite frankly, this Christian doesn’t believe a word of it.


The Devil's Design

Implications on Religious Expression and Freedom of Speech

The broader implications of such artistic choices bring to light important debates about religious expression and freedom of speech. Where does one draw the line between artistic freedom and respectful representation of religious beliefs? Legal and ethical viewpoints suggest that while artistic expression should be protected, it must also be exercised with a sense of responsibility and sensitivity towards deeply held convictions.

This conundrum raises questions about the boundaries of creativity and the potential consequences of crossing them. It highlights the need for a balanced approach that allows for innovation without offending God who created them all, and sustains them by His Word.


Call For Accountability

heed this solemn warning from the Bible regarding any mockery of God, worshipping of demons, and the open display of sexual immorality to children:

  1. God Will Not Be Mocked:

    “Do not be deceived: God cannot be mocked. A man reaps what he sows.” – Galatians 6:7
    Your actions will have consequences. Do not think that profaning God’s name and engaging in idolatry will go unpunished.
  2. Repent:

    “Repent, then, and turn to God, so that your sins may be wiped out, that times of refreshing may come from the Lord.” – Acts 3:19
    Seek forgiveness and change your ways. There is still time to turn back from these grievous sins and seek God’s mercy.
  3. Turn to The Lord with All Your Heart:

    “Even now,” declares the Lord, “return to me with all your heart, with fasting and weeping and mourning.” – Joel 2:12
    Dedicate yourselves to seeking the Lord wholeheartedly. Renounce these evil practices and return to the path of righteousness.
  4. Put Off Sexual Immorality:

    “It is God’s will that you should be sanctified: that you should avoid sexual immorality.” – 1 Thessalonians 4:3
    Commit to maintaining purity and sanctity. Protect the innocence of children and avoid the display of immoral behavior.

5. The Lord Will Judge:

“For the Lord is our judge, the Lord is our lawgiver, the Lord is our king; it is he who will save us.” – Isaiah 33:22

Recognize that the ultimate judgement comes from the Lord. Conduct yourselves justly, knowing that His judgement is final and encompassing.


True Harmony, Comes From Knowing Jesus Christ

The Paris Olympic Opening Ceremony has sparked a complex and multifaceted debate on the interplay between artistic freedom and cultural sensitivity. The imitation of the Last Supper with drag queens has highlighted the challenges of balancing these elements in a manner that respects diverse viewpoints.

As the dialogue continues, it is imperative for the art community, religious leaders, and cultural critics to engage in constructive conversations. This will not only aid in resolving conflicts but also pave the way for more thoughtful and inclusive artistic expressions in future events.

In the name of fostering a respectful and innovative creative space, it is essential for all parties to consider the impact of their actions and strive for harmony in their expressions. The Paris Opening Ceremony serves as a poignant reminder of the power of art to both unite and divide, and the responsibility it carries in shaping cultural narratives.


About the Author:

Victor Tavitian is the co-founder & Creative Director of Design Magazine and TDS Australia. He has spent the last 10 years mastering the art of Gekiga.

Illustrations & Design by Curtis Tran

Curtis Tran is a mid-weight graphic designer at TDS Australia and Design Magazine. Curtis is known for his stomach issues, and sense of humour.

Tokyo Design Studio provides brand design, web design and video production services. With creative expertise, execution capability, and storytelling skills, we materialise solutions, shape directions, and create products to accompany and support your business branding process on a unique path.



Continue reading: Design Psychology · Brand Strategy · Creative Strategies · Art History · Design Theology

Design Magazine welcomes perspectives from designers, strategists, and creative thinkers worldwide. We also accept nominations for the Design Magazine Awards — no entry fees, ever. Write for us →

Published by Design Magazine, an editorial platform by TDS Australia. Research citations supported by the Scientific Institute of Generative Intelligence. Design Magazine is editorially independent. Our parent studio also operates TDS DaaS, TDS Geo Agency, and TDS Game Outsource.

New Posts

Kärcher Pressure-Washed Cherry Blossoms onto Tokyo Geidai’s Gates — and It Might Be the Best Brand Activation of 2026

Kärcher Pressure-Washed Cherry Blossoms onto Tokyo Geidai’s Gates — and It Might Be the Best Brand Activation of 2026

Kärcher Japan launched its 'Senden Project' by pressure-washing cherry blossom art onto the gates of…

What a Designer’s Workbench Tells You That Their Portfolio Never Will

The Japan Design Committee's 'Designers and Tools 2026' puts the personal working kits of 19…

Design Magazine Awards 2026 — Submissions Open
Submissions Open Free Entry Vol. I · Edition 2026
designmagazine.com.au/awards Australia · Asia-Pacific
The Design Magazine Awards

The work that defines 2026.

Pre-entry now open for the Design Magazine Awards — recognising the studios, makers and ideas shaping the year ahead.

Early Entry Closes 31 July 2026
Brand Identity Editorial & Print Digital Product Packaging Typography Motion Spatial & Environmental Illustration Student of the Year Brand Identity Editorial & Print Digital Product Packaging Typography Motion Spatial & Environmental Illustration Student of the Year