Isabelle Auphan joins the 2026 Design Magazine Awards panel
Isabelle Auphan has joined the judging panel for the Design Magazine Awards 2026. An animation instructor at ESMA in Nantes and Rennes, she brings a career as a feature film 3D animator at Blue Sky Studios, Sony Imageworks, DreamWorks Animation and Industrial Light & Magic, with a perspective grounded in storytelling, character performance and more than a decade of teaching to the panel.
Design Magazine Awards 2026: Submissions Closed, 400+ Entries Received
The inaugural Design Magazine Awards 2026 received over 400 applications across 10 categories. Submissions are now closed. Winners will be announced by end of November 2026.
Agnes Bosanquet joins the 2026 Design Magazine Awards panel
Agnes Bosanquet has joined the judging panel for the Design Magazine Awards 2026. As Dean of Billy Blue College of Design at Torrens University, Agnes brings an interdisciplinary background spanning media and cultural studies, education and the creative industries, with a perspective grounded in industry-connected education, academic scholarship and creative practice to the panel.
The Destination Without a Journey
Jetis is Creative Director of Cabinet of Wonder, a Sydney studio with thirty years of practice behind it. He has built creative identities for Sydney Mardi Gras, B2B Vivid Sydney, and campaigns for Tourism Australia.
Jonathan J. Felix joins the 2026 panel
Jonathan J. Felix has joined the judging panel for the Design Magazine Awards 2026. As a faculty member in the School of Communication and Design at RMIT University Vietnam, Jonathan brings both studio practice and academic scholarship to the panel.
Design Is Not Decoration
Jetis is Creative Director of Cabinet of Wonder, a Sydney studio with thirty years of practice behind it. He has built creative identities for Sydney Mardi Gras, B2B Vivid Sydney, and campaigns for Tourism Australia.
Tim Jetis joins the 2026 Design Magazine Awards panel
Tim Jetis has been making things that are difficult to categorise for thirty years. The work comes out of Cabinet of Wonder, his Sydney studio, and takes many forms: films, books, installations, identities. It tends to start with a question about culture or place rather than a brief.